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Paul Henry FISHING BOATS, DUGORT
Lot 27
Price Realised: €200,000
Estimate: €200,000 - €300,000
Paul Henry RHA, 1877-1958
FISHING BOATS, DUGORT (1935-45)
Oil on canvas, 20" x 24" (50.7 x 61cm), signed.

Provenance: Purchased Combridges, 1940 and by descent; Important Irish Art Sale, Adams,30 May 2012 lot 34; Private Collection.

Exhibite... Read more
Lot 27 - FISHING BOATS, DUGORT by Paul Henry Lot 27 Paul Henry FISHING BOATS, DUGORT
Estimate: €200,000 - €300,000
Paul Henry RHA, 1877-1958
FISHING BOATS, DUGORT (1935-45)
Oil on canvas, 20" x 24" (50.7 x 61cm), signed.

Provenance: Purchased Combridges, 1940 and by descent; Important Irish Art Sale, Adams,30 May 2012 lot 34; Private Collection.

Exhibited: Paul Henry Retrospective Exhibition, Ritchie Hendriks Gallery, Dublin, 1957, Cat. No. 60 which toured to Belfast Museum and Gallery; Irish Art from Private Collections 1870-1930, Wexford Arts Centre, 1977, Cat. No. 17; Paul Henry Retrospective Exhibition, The National Gallery of Ireland, Dublin, Cat. No. 93 (label verso). 

Literature: S. B. Kennedy, Paul Henry: Paintings, Drawings and Illustrations, cat. no. 1037, illustrated p.304.

The subject matter of fishing boats is one to which Paul Henry returned from time to time. The village of Dugort is situated on the northern shore of Achill Island in County Mayo. The beach to the left is almost certainly Pollawaddy and the cottages in the foreground lie beside the road running east from Dugort. The mountain in the background is Slievemore, which dominates the landscape of the Island. It was to Dugort that Henry went when he first arrived on Achill in August 1910. But even then he found the village busy with tourists. 'Every second house seemed to be an hotel or boarding house', he later wrote, and so the morning after his arrival he set off for the much quieter village of Keel in the south of the island, where he subsequently established himself, taking rooms with John and Eliza Barrett who ran the post office in Keel. Moving from Dugort to Keel, Henry would have travelled along the road depicted here and he was enthralled with the scenery. 'Never shall I forget my delight and astonishment on that drive,' he wrote (Henry, An Irish Portrait, 1951, p. 3). The bright palette and clear, unmuddied colours which are a feature of this composition typify Henry's later work. Dr. S.B. Kennedy, May 2012
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