Bidding on this item has ended.
Wendy Judge
EXPONENTIAL GROWTH, 2020
Lot 58
Price Realised:
€240
Estimate:
€230 - €300
Wendy Judge, b.1967
EXPONENTIAL GROWTH, 2020
Drawing, coloured pencil on paper, 11,7" x 8,2" (29.7 x 21 cm), signed
Provenance: Artist's Studio
Judge works in sculpture, photography and drawing.
Making observations of the landsca...
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Lot 58
Wendy Judge
EXPONENTIAL GROWTH, 2020
Lot 58
Wendy Judge
EXPONENTIAL GROWTH, 2020
Estimate:
€230 - €300
Wendy Judge, b.1967
EXPONENTIAL GROWTH, 2020
Drawing, coloured pencil on paper, 11,7" x 8,2" (29.7 x 21 cm), signed
Provenance: Artist's Studio
Judge works in sculpture, photography and drawing.
Making observations of the landscape looking at the authentic and anomalous forms that appear within it, she draws on cult literature, land art, geological science/fiction/horror, and the futurised landscape. Recent: Airmail (Assab One Milan 2020, Yanagisawa Gallery Tokyo 2019 and SO Fine Art, Dublin 2019) Scaling the Untold, (The Darkroom Dublin 2020-2021); The Lump Show ( LA 2019); Difference Engine (Zagreb 2018); Resort Revelations (Fingal 2018); Factory Installed (Pittsburgh 2016). Souvenir Views (Pallas Projects Dublin 2012)
She has been supported by the Arts Council of Ireland (2022), and the Thomas Dammann Junior Memorial Trust Award (2019)
Her work is part of the Prints and Drawings Collection in the National Gallery of Ireland
EXPONENTIAL GROWTH, 2020
Drawing, coloured pencil on paper, 11,7" x 8,2" (29.7 x 21 cm), signed
Provenance: Artist's Studio
Judge works in sculpture, photography and drawing.
Making observations of the landscape looking at the authentic and anomalous forms that appear within it, she draws on cult literature, land art, geological science/fiction/horror, and the futurised landscape. Recent: Airmail (Assab One Milan 2020, Yanagisawa Gallery Tokyo 2019 and SO Fine Art, Dublin 2019) Scaling the Untold, (The Darkroom Dublin 2020-2021); The Lump Show ( LA 2019); Difference Engine (Zagreb 2018); Resort Revelations (Fingal 2018); Factory Installed (Pittsburgh 2016). Souvenir Views (Pallas Projects Dublin 2012)
She has been supported by the Arts Council of Ireland (2022), and the Thomas Dammann Junior Memorial Trust Award (2019)
Her work is part of the Prints and Drawings Collection in the National Gallery of Ireland
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All maximum bids are confidential and not disclosed. The system will endeavor to purchase the lot for you for the least price. Bids are subject to buyer’s premium of 25% (incl vat), with no additional charges.
In the event of a tied bid, the preference will be given to the bid submitted first. The second bidder will receive immediate notification of being outbid.
PLEASE BID EARLY TO AVOID DISAPPOINTMENT.
In order to allow rival bidders the opportunity to respond to a late bid the following extensions will apply:
IF A BID IS RECEIVED WITHIN THE FINAL 45 SECONDS OF THE COUNTDOWN THE CLOCK WILL RESET TO 60 SECONDS.
At any point you can leave a maximum bid, representing the highest price you are prepared to pay for a particular lot. Bidding only advances when there is competition from a rival bidder. In that case the system bids on your behalf, only up to the maximum if required. All bids are relayed to you be email, along with notification if you have been outbid.
All maximum bids are confidential and not disclosed. The system will endeavor to purchase the lot for you for the least price. Bids are subject to buyer’s premium of 25% (incl vat), with no additional charges.
In the event of a tied bid, the preference will be given to the bid submitted first. The second bidder will receive immediate notification of being outbid.
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