Bidding on this item has ended.
Stephen Loughman
BURNING, 2022
Lot 84
Price Realised:
€400
Estimate:
€400 - €500
Stephen Loughman, b.1964
BURNING, 2022
Digital print of iPad drawing, 37 x 53cm, signed.
Provenance: Artists' Studio.
The print was commissioned by the T.S. Eliot Foundation to mark the centenary of the publication of Eliot's 'The Wasteland'. Th...
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Lot 84
Stephen Loughman
BURNING, 2022
Lot 84
Stephen Loughman
BURNING, 2022
Estimate:
€400 - €500
Stephen Loughman, b.1964
BURNING, 2022
Digital print of iPad drawing, 37 x 53cm, signed.
Provenance: Artists' Studio.
The print was commissioned by the T.S. Eliot Foundation to mark the centenary of the publication of Eliot's 'The Wasteland'. This print is an artist's proof, which means it is a once-off and not part of an edition.
Stephen Loughman works and lives in Dublin, his practice is chiefly painting led. He utilises imagery usually sourced from commercial films. The act of freezing these images in paint allows him to distil and re-edit them to form (as Hugo Hamilton has written) "a cross reference fictionalised somewhere in the past by culture and commerce". Stephen Loughman is represented by the Kevin Kavanagh Gallery.
Selected solo exhibitions include Proven Answers ,Temple Bar Gallery + Studios, 2018 ; Volta NY solo presentation 2012 and 26th São Paulo Biennale (2004). Selected group exhibitions include Kulturpreise NOEDOK St Pölten Austria 2019, Hold to the Now, SLAG Gallery NYC (2015); Last,Douglas Hyde Gallery, Dublin (2012) and what happens next is a secret, IMMA (2010).
BURNING, 2022
Digital print of iPad drawing, 37 x 53cm, signed.
Provenance: Artists' Studio.
The print was commissioned by the T.S. Eliot Foundation to mark the centenary of the publication of Eliot's 'The Wasteland'. This print is an artist's proof, which means it is a once-off and not part of an edition.
Stephen Loughman works and lives in Dublin, his practice is chiefly painting led. He utilises imagery usually sourced from commercial films. The act of freezing these images in paint allows him to distil and re-edit them to form (as Hugo Hamilton has written) "a cross reference fictionalised somewhere in the past by culture and commerce". Stephen Loughman is represented by the Kevin Kavanagh Gallery.
Selected solo exhibitions include Proven Answers ,Temple Bar Gallery + Studios, 2018 ; Volta NY solo presentation 2012 and 26th São Paulo Biennale (2004). Selected group exhibitions include Kulturpreise NOEDOK St Pölten Austria 2019, Hold to the Now, SLAG Gallery NYC (2015); Last,Douglas Hyde Gallery, Dublin (2012) and what happens next is a secret, IMMA (2010).
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All maximum bids are confidential and not disclosed. The system will endeavor to purchase the lot for you for the least price. Bids are subject to buyer’s premium of 25% (incl vat), with no additional charges.
In the event of a tied bid, the preference will be given to the bid submitted first. The second bidder will receive immediate notification of being outbid.
PLEASE BID EARLY TO AVOID DISAPPOINTMENT.
In order to allow rival bidders the opportunity to respond to a late bid the following extensions will apply:
IF A BID IS RECEIVED WITHIN THE FINAL 45 SECONDS OF THE COUNTDOWN THE CLOCK WILL RESET TO 60 SECONDS.
At any point you can leave a maximum bid, representing the highest price you are prepared to pay for a particular lot. Bidding only advances when there is competition from a rival bidder. In that case the system bids on your behalf, only up to the maximum if required. All bids are relayed to you be email, along with notification if you have been outbid.
All maximum bids are confidential and not disclosed. The system will endeavor to purchase the lot for you for the least price. Bids are subject to buyer’s premium of 25% (incl vat), with no additional charges.
In the event of a tied bid, the preference will be given to the bid submitted first. The second bidder will receive immediate notification of being outbid.
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